'The synchronized manipulations of the three-person team (outfitted in all black from head to toe) so humanize the yet-to-be-named Puppet, this character of Puppet easily becomes the primary character and focus the audience roots for. Puppet certainly is the heart of WOOD BOY DOG FISH, both figuratively and literally. Kudos to puppeteers Mark Royston, Lisa Dring and Rudy Martinez... allowing the audience to easily establish an emotional attachment to Puppet, quite comparable to the viewers' empathies for the magnificent horse puppets in Royal National Theatre's production of War Horse.'
Read the full review here BroadwayWorld.com
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